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Program Description

Paradise for writers...
Where every connection leads to Hollywood.
 
Featuring Oscar-Emmy-WGA Award-winning judges with vital industry connections.

Every word of every page of your script will be read and analyzed by established Hollywood film and television professionals.


Hollywood’s decision-makers are in constant search of today's most promising writers...
and they start that search right here.


 

Deadlines and Fees

First Call
Oct. 10, 2024
Take Two
Oct. 30, 2024
Call Back
Nov. 19, 2024
Ready On The Set
Dec. 09, 2024
Final
Dec. 31, 2024
Feature-Contest Entry (no feedback)
Standard Fee
$44
$49
$54
$59
$65
$39
$44
$49
$54
$60
Feature - Scores & Comments
Standard Fee
$59
$64
$69
$74
$79
$54
$59
$64
$69
$74
Feature Screenplay - 3-4 pp Writers Room Analysis
Standard Fee
$74
$79
$84
$89
$99
$69
$74
$79
$84
$94
Full Screenplay - Academy Analysis (5-10 pp)
Standard Fee
$99
$109
$114
$125
$135
$94
$104
$109
$120
$130
Line Notes & Live Consultation (60-90 min.)
Standard Fee
$499
$499
$499
$499
$499
$494
$494
$494
$494
$494
TV Script Contest Entry (no feedback)
Standard Fee
$29
$34
$39
$44
$49
$24
$29
$34
$39
$44
TV Script w/ 3-4 page Team Comments
Standard Fee
$39
$44
$49
$54
$59
$34
$39
$44
$49
$54
TV Script w/ 5-8 pp Writers Room analysis
Standard Fee
$54
$59
$64
$69
$74
$49
$54
$59
$64
$69
TV Script w/ Academy 5-8 page analysis
Standard Fee
$79
$89
$99
$109
$119
$74
$84
$94
$104
$114
Short Script Contest Entry (no feedback)
Standard Fee
$29
$34
$39
$44
$49
$24
$29
$34
$39
$44
Short Script w/ Scores & Comments
Standard Fee
$34
$39
$44
$49
$54
$29
$34
$39
$44
$49
Short Script w/ 3-5 pp Writers Room Notes
Standard Fee
$49
$54
$59
$64
$69
$44
$49
$54
$59
$64
Short Script Exec Analysis (5-8 pp)
Standard Fee
$69
$74
$79
$84
$89
$64
$69
$74
$79
$84

Program Benefits

"Live Line Notes & Personal Consultation"
The only screenplay contest where winning feature and TV pilot writers are invited to a Live Line Notes & Consultation session with an award-winning WGA writer-producer.
This is a 60-90 minute personal and private meeting to go over every single page of your script with notes written directly on the pages.
Winners receive a full PDF of those notes, an in-depth written analysis, and a complete recording of the online video session.

Feature Screenplay
(all genres)
• 60-90 minute Live "Line Notes & Consultation" with award-wining Senior Level WGA Judge
• Featured industry exposure in online Writers Showcase
• Written Studio-grade analysis
• 4-month InkTip Pro Membership
• Hard copies of the Stop Screwing Around and Write... book series
• Free listing at MovieBytes.com

TV Script
(pilot or episode)
• Virtual Script Meeting with Senior Judge
• Written Studio-grade analysis
• Featured industry exposure in online Writers Showcase
• Free Listing at SellingYourScreenplay.com
• Free listing at MovieBytes.com

Short Film Script
• Written Studio-grade analysis
• Free MovieBytes.com listing

Join Our Working Professionals

Michael Sloan

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Creator of hit TV series The EqualizerKung Fu: The Legend Continues, Alfred Hitchcock Presents, The Master. Best-selling novelist, active film and television writer-producer with 200+ credits at&

Suzanne Herrera-McCullough

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Film & TV SAG actress, WGA writer, published author, host of Where Hollywood Hides  iTunes podcast, developing film and book projects  serving the Latino audience and promoting the interests of women filmmakers.

John Wilder

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 Renowned writer-producer-director, 400 credits with multiple WGA Awards, Emmy & Golden Globe nominee for Centennial, Streets of San Francisco, Yellow Rose, Return to Lonesome Dove, author of Nobody Dies in Hollywood.

William R. Moses

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One of the industry's most prolific actors (Perry Mason Movies, Falcon Crest, Mystic Pizza, Grey's Anatomy),  an active writer-producer (Living in Fear, Alone with a Stranger) with history of working with high-caliber film & television wr

Philip John Taylor

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WGA-nominated writer with over 100 produced credits in TV and film, (Mork & Mindy, Soldier of Fortune, Highlander). Royal Shakespeare Co. veteran, Professor of Screenwriting at Arizona State University.

Duncan Regehr

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Star of Zorro, My Wicked, Wicked Ways, Star Trek, etc.,  American Vision Award winner, published poet and novelist (duncanregehr.com) with fine art works in the Smithsonian Institute and in the Masters Archives at the Getty Museum.&

Lee Chambers

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Produced writer-director, international film festival juror, winner Best Director and Best Producer Awards (NYC Indie Film Awards, London Independent Film Awards). 

Pamela Kay

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Winner of the Nicholl Screenwriting Fellowship, renowned YouTube personality and host of the Word Dancer YouTube Channel, featuring award-winning screenwriting courses ?serving more than 10,000 students.

Mark Stouffer

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Prolific writer-director-producer, winner of multiple Emmys, Directors Guild of America Award, creator of Wild America, producer of multiple feature films and TV specials, author of Money for Your Movie Guaranteed.

Shaun Tomson

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Former World Surfing Champion, renowned  leadership keynote speaker, author and feature documentary writer-producer, creator of The Code: the Power of "I Will"

Robert L. McCullough

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WGA Emeritus Award-winning show-runner, producer of multiple pilots, series, and new media projects with 300+ produced credits, guiding writers to superstar status, SBIFF Screening Juror, author of multiple books dealing with the art, cr

Connie O'Donahue

 Sundance Story Lab Fellow, Austin Film Festival Winner, New York Television Festival, Kairos Prize, Big Bear Int'l Film Festival, Film in Arizona, PBS writer-producer-director.

Industry Professionals are Your Judges

Your screenplay contest judges are working members of the Writers Guild of America, the Directors Guild of America, the Screen Actors Guild, and the Producers Guild of America who are in daily contact with agents, managers, studio development executives, and producers. These working professionals are eager to help good writers become paid writers.

Our Guarantee to You

When you submit your finished screenplay to us, you have our guarantee that your material will be read read & analyzed by seasoned professionals knowledgeable in both Hollywood's major studio and independent script development standards and practices. Your screenplay will never be assigned to an unpaid, inexperienced amateur or to unpaid interns.

WGA PROFESSIONALS. NEVER AMATEURS.

Our Mission: To support your success as a screenwriter.

The Industry's #1-ranked Pro Feedback

Announcement Dates

Contest Results & Awards

Jan. 18, 2025

Our Partners

Where Hollywood Hides Podcast Palm Springs International Screenplay Awards Wiki Contest Money for Your Movie Guaranteed

Frequently Asked Questions

Frequently Asked Screenplay Contest Questions

You have questions?  Here are the answers! 


What makes this contest worth entering?

The Santa Barbara International Screenplay Awards stands head and shoulders above other "contests" which don't even identify their senior judges. Our judges have, in the aggregate more than 1,000 produced film and television credits, and we're delighted to identify them by name and reputation. If you want your material read and assessed by working industry professionals (and NOT by unpaid "interns" or hopeful writers who have never actually sold a script), this is the competition where true value lies.
 
Who will be reading and scoring my script?

Your script will NOT be read by an unpaid intern with limited experience as a screenwriter or judge of material. EVERY reader-analyst who first sees your material is a bona fide professional with produced credits and genuine insights into the screenwriting craft and trade.

If I win the contest, what happens to my rights? Do I retain copyright?

You will always retain copyright to your material; The Santa Barbara International Screenplay Awards retains no interest in your material, nor does it accept responsibility for copyright infringement by any third parties.
 
How do I know you won't steal my ideas or give them to someone else?
 
That's simply not the business we're in. We are neither managers, agents, or producers of any submitted material. Winning scripts will be sent to our network of managers, agents, and producers only with the express written permission of the writer. The fact is, screenplay ideas are very rarely "stolen" by anyone. Industry professionals have plenty of great material to choose from without stealing your ideas or those of anyone else.
 
Can I send you a hard copy of my script?
 
No. We only accept digital files. Your pages should be submitted as a PDF file only. Nothing else will be accepted, including Final Draft, Scriptwriter, or any other screenwriting software formats. Submissions in any file format other than PDF are automatically disqualified from the scoring competition.
 
Can I talk to my reader or any of the judges?
 
The readers and judges are private individuals and working professionals with busy daily schedules, part of which involves reading contest script materials. Those writers entering at the Line Notes & Consultation level will have the opportunity to participate in a one-on-one personal 60-90 minute Zoom conference with a Senior Judge who will go over entered scripts line-by-line, making written notes directly on the submitted script.This is a professional "notes" session with strategies for selling material and finding paid writing gigs. Submissions at this level will receive an Mp4 recording of the session. Other than that, no contact with judges or analysts will be offered during the term of any competition.
 
What should I put on the cover page?
 
Always put the title of your script, your name, and your contact information on the cover of any submission. Hint: do NOT indicate "WGA Registered" or any legal warnings on your script cover if you want someone to read it!
 
Where are you located?
 
The Santa Barbara International Screenplay Awards are located in...Santa Barbara, California. For over 100 years, Santa Barbara has had a very strong connection with the motion picture industry and the Hollywood studios. Today, it's the home of a vast number of prominent actors, writers, producers, agents, and executives, all of whom are looking for the next generation of screenwriting talent.
 
How soon after the end of the contest are finalists and winners announced? 
 
Within approximately two weeks. Prizes are awarded as soon as winners are announced..
 
Can I enter the contest if I live outside the United States?
 
Yes, of course. Many of our winning screenplays have come from writers living in foreign countries. Your entry must be submitted in English.
 
Can I submit a script for an animated film or tv show?
 
Yes. We've had several winners and some of our most competitive and entertaining submissions in the animation genre.
 
Will my tv pilot be read by someone with experience in broadcast or cable television?
 
Absolutely. Several of our Senior Judges have serious track records pitching and selling TV pilots. All TV material is judged by those experts. (As with any entry--feature film or TV script--there are never unpaid interns reading anything at The Santa Barbara International Screenplay Awards.
 
Can I submit my script to another contest at the same time?
 
Yes. Your entry into The Santa Barbara International Screenplay Awards is non-exclusive. You have the right to submit it to any other contest concurrently.
 
If I win the contest, will my name be made public?
 
Unless the writer indicates a preference to remain private, we actively publicize the identity of Finalists and Winners in order to promote their writing profile throughout the entertainment industry. When you submit your material to us, you grant us the right to publicize your name and your work in all worldwide media.
 
Can you help me get an agent?
 
We are not managers, agents, or producers and we do not in any way function in that regard. Winning feature screenplays and TV pilots may be forwarded at our discretion to our network of leading Hollywood literary managers and agency representatives for potential representation.
 
If I make changes to my script after entering the contest, may I send them in?
 
Because the pages you submit go immediately into the hands of the analysts and judges, no re-submissions are accepted. Revisions should simply be submitted as a new contest entry (go to your account page on Film Freeway and enter revised draft as a New Project) after contacting contest administrators who will grant you a 20% Discount Code for purposes of resubmitting a new draft.
 
Can I send my script in as a Final Draft file?
 
No. Submissions must be in PDF file format, with the title ONLY indicated in the PDF file name (do not write anything else in the file name). Submissions as Final Draft or Movie Magic Screenwriter files will not be read, scored, or judged and refunds will not be available. Titles of submissions and writers’ names should be in upper and lower case formatting. “All caps” entries will be recorded as such and may be scored lower.
 
Can I enter the same script for different levels of feedback?

You may submit the same material multiple times in a single contest, but they must be entered individually. When the same script is entered simultaneously for multiple levels of analysis, only the highest level of analysis will be provided, with no refunds for lower levels of scoring, comments, or analysis. You should always submit your entry at the highest level of scoring/analysis you are comfortable with.
 
Can you send my script out to managers and agents?
 
Winning screenplays and selected Finalist screenplays and TV pilots may be forwarded at our option and at the discretion of senior judges to major Hollywood literary managers and agents for representation consideration without any expressed or implied guarantee of third-party response of any kind. By submitting material to the contest, you give us permission to promote you and your writing at our option and sole discretion and with the understanding that we are not managers, agents, or producers and do not guarantee any results or success for your material.


Still have questions?
Reach out on the Contact Page or drop us a line: info@santabarbarascreenplayawards.com

Rules

 

• Screenplay contest material submitted to The Santa Barbara International Screenplay Awards is accepted via electronic submission only.

• Submissions must be in PDF file format, the title ONLY indicated in the PDF file name. Submissions as Final Draft or Movie Magic Screenwriter files will not be read, scored, or judged.

• There is no limit to the number of screenplay, teleplay, or short film scripts you may submit.

• Submitted script material must be received by midnight of each monthly deadline date and submission fee payment must accompany your material.

• All entry fees are non-refundable; submissions in any file format other than PDF will be disqualified with no refund.

• Page count limitations: Short Film Scripts = 30pp    Television Scripts = 70pp   Feature Screenplays = 125pp  Entries exceeding those page limits will incur a 20% reading fee surcharge.

• All material submitted to these screenplay contests must be original, and all rights must be wholly owned by the writer(s).

• Screenplays and scripts must be submitted by the credited writer. Screenplays and scripts written by writing teams must be submitted by one of the writers, with consent of the other(s).  

• All writers must be credited on title page.

• If a screenwriting team is chosen as a winner, prizes will be given to the screenwriter submitting the project. Each team is responsible for dividing or sharing the prize money, with no direction from The Santa Barbara International Screenplay Awards Contest administrators, staff, or judges.

• Once submitted, material is promptly assigned to analysts and judges and reading/scoring begins. Revisions, rewrites, addenda, or substitutions of either corrected pages or new drafts of the entered screenplay or script material require a separate entry. 

• Multiple entries are accepted. Submitting the same script pages for different levels of analysis is fine. In all cases, each entry or request for varying levels of analysis must be entered individually. When multiple levels of analysis are NOT entered individually, only the highest level of analysis will be provided with no refunds for other analysis services.

• By using our service, you authorize us to use any trusted third-party online and cloud-based services and databases for hosting, managing and/or transmitting your submission file(s), including FilmFreeway 

• All copyright, ownership and derivative rights to the material submitted to The Santa Barbara International Screenplay Awards contest(s) remains with the original rights holders and/or author. 

• By submitting material to the contest, writer gives contest administrators permission to promote the work and the writer to third parties, including professional literary managers and agents at their sole discretion. By submitting material to the contest, you agree to hold The Wiki Screenplay Contest LLC, its officers, managers, employees, contractors, and representatives of all kinds harmless against any and all claims. No assurances, warranties, or guarantees are either implicitly or explicitly made as to the efforts or lack of response by any and all third parties to whom The Wiki Screenplay Contest LLC may send or transmit material.

• Plagiarized or non-original written materials will be disqualified.

• Once announced and delivered, all prize package items and taxes appurtenant thereto are the responsibility of the recipient.

• All scores are final and purely at the discretion of the Senior Judging Panel.

• Writer acknowledges that any and all written feedback and analysis commentary is objectively presented and intended to be illustrative, instructive, and helpful in guiding the writer along a professional path.  Scores and comments are in accordance with current professional film and television industry standards, but writer accepts them as purely subjective pursuant to the judgment and opinion of the individual reader-analyst and agrees not to request, demand, or suggest alternate, different, or revised written feedback; no guarantees of satisfaction on the part of the writer are expressed or implied.


Eligibility:

• All screenwriters, without regard to professional or amateur status, age, gender, race, ethnicity, country of origin, native language, political orientation, or sexual preference are eligible.

• The screenplay, television script, or short film script material submitted must be in English.

• All screenplay, television script, or short film script material submitted to other competitions or contests is eligible.

• There are no limitations or restrictions as to date of authorship of submitted screenplay, television script, or short film materials.

• The screenplay, television script, or short film script material submitted must not be encumbered by any obligation to, or option held by, any third party prior to entering the screenplay competition.

• Screenplay, television script, or short film script material should be submitted in standard screenplay format, font, spacing and margin.

• No limitations regarding title page content. Title and name of screenwriter and contact information on cover page is recommended.

• Live consultations are limited to one draft and one entry per writer per contest period.

Contact Information

info@santabarbarascreenplayawards.com

735 State St.

ste. 512, California

93101

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