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Presence: Soderbergh & Koepp Deliver Family Drama Via Ghostly Perspective

Indie film director Steven Soderbergh made a huge cinema splash at Sundance with the voyeuristic Sex, Lies and Videotape in 1989. Similarly, screenwriter David Koepp made waves a year earlier with his cool, controlled thriller Apartment Zero.Over the years, the pair have crossed professional paths in the film circuit, brainstorm...
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Recommended Screenplay Competitions Worthy of the Entry Fee

Screenwriting Competitions are a great way to get your work read by professional readers and potentially circulated among creative executives who are looking for new voices to champion, especially if they’ve been vetted.The array of competitions can be mind-boggling. Many have their own internal mandates and preferences such as ...
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“Reacting To Childhood Trauma” Robert Cargill On ‘The Black Phone’

There is something in the contemporary horror zeitgeist which fuses elements of a pure evil monster genre with a supernatural family drama. The Black Phone was initially written by Joe Hill (Stephen King’s son), so the short story was always going to ooze mood, creepiness, and dread rather than a relentless stream of gore and ju...
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“You Have Power as a Writer” Alfred Gough and Miles Millar on Netflix’s ‘Wednesday’

“Wednesday, for us, from concept until now, has been a three and a half year journey,” said Alfred Gough. “We came up with the initial idea which was teenage Wednesday Addams in boarding school. We had to track down the rights and then we pitched it to the Addams Foundation.”As screenwriters, Alfred Gough and Miles Millar are kn...
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“Smuggling Exciting Ideas Into IP” Jeremy Slater on ‘Moon Knight’

“The answer always goes back to Jaws,” said Jeremy Slater, when asked about why he got into the business in the first place. “It was the movie I saw far too young. It’s still my all-time favorite movie. I saw it at a very young and it scarred me and traumatized me. I had a negligent babysitter and I was young enough I thought an...
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