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Short films are a valid form of storytelling that should be accepted and appreciated in their own right. They are self-contained stories generally told in under thirty minutes and aren’t a less valid art form. After all, a two hour film isn’t definitively twice as good as a one hour film – although it might be.Aside from being p...
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Hollywood is expanding its reach in terms of where it sources new material, particularly original stories that can be adapted into films and television shows. Producers have scoured through podcasts, magazine articles, and increasingly, short stories. David Boxerbaum, an agent at Verve Talent Agency, spoke with Creative Screenwr...
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When contemplating which style is best for a project – shooting “old-school” practical effects in-camera or relying on CGI – both have their merits and pitfalls. While creating kinetic action sequences digitally may be more cost efficient and certainly much safer for the cast and crew, less-than-stellar VFX on screen could distr...
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This entry is part 2 of 2 in the series Trends:The Role Of TechnologyDespite the exponential improvements in technology and visual effects to bring stories to life, have the types of stories that audiences enjoy changed that much? Not really, according to Jim. Filmmaking is certainly less expensive and more accessible, but that’...
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This entry is part 1 of 2 in the series:The current film and television landscape has viewers spoiled for choice, often rendering us overwhelmed by the sheer number of offerings available. This is reinforced by the increasing number of devices, formats, and platforms to watch them on. Creative Screenwriting Magazine spoke with I...
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This entry is part 2 of 2 in the series Chris Robert Riegel:Part 1Writing ProcessExpectations went through dozens of story iterations even with such a strict remit. It has even been described as Succession meets Knives Out. “It’s flattering on one hand, but on another hand, it can be a bit frustrating when we’re sitting here say...
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This entry is part 1 of 2 in the series Chris Robert Riegel:Part 2Filmmaker Chris Robert Riegel has a unique background as both a financier and filmmaker through his Rainmaker banner. He is known for being involved with award-winning feature films including Dallas Buyers Club, Stealing Cars, and Stowaway. Furthermore, he has wor...
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When contemplating which style is best for a project – shooting “old-school” practical effects in-camera or relying on CGI – both have their merits and pitfalls. While creating kinetic action sequences digitally may be more cost efficient and certainly much safer for the cast and crew, less-than-stellar VFX on screen could distr...
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“Amasia Entertainment is going the long game,” declared producer Bradley Gallo. “We are about making great relationships and being very hands on with our movies. That takes time.” Amasia Entertainment handles financing, whether it’s coming from financiers or in-house, tax credits, production, and creative development with a full...
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“Ravenwood Films started in the indie space looking for a broad spectrum of materials at the lower budget level,” said producer Shaun O’Banion. As the company evolved, their interests expanded and the company spent considerable resources to acquire book options and collecting IP to potentially produce. When this acquisition plan...

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