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ArchetypesParents (good and bad), teachers (good and bad), friends, teammates, and classmates (good and bad), and siblings all form the basis of an archetypal character set.In The Edge of Seventeen:Nadine’s mother: a bit unraveled and trying to cope with her own life as well as her two children. Nadine’s father is dead and that’...
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High school movies span decades. There are thousands covering most of film and TV history. This is mainly for one reason: the themes in them are universal.The stories of high school are the stories of life. Of joy, sadness, yearning, accomplishment, and all things in-between.On The Edge of Seventeen is a prime example of the com...
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At the heart of any compelling story is conflict. One character wants something, another character (or force) doesn’t want them to have it. The characters locked in conflict are commonly referred to as the protagonist and antagonist. While this is technically correct, it is dramatically incomplete. In the days of the Greek theat...
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This entry is part 1 of 2 in the series What To Write:Perhaps the most important decision any writer makes is what to write. There’s a lot to consider including the market, trends, your strengths, etc. When I started my career I had in mind to create good sci-fi material. It was what I read and loved and I couldn’t think of anyt...
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This entry is part 2 of 2 in the series Context:Information DumpsMany times the issues I see in my students’ work are a result of lack of experience obviously. They don’t trust their writing or their audience, or have the skills needed to push out content when it’s needed to be heard by an audience. Consequently, they have info ...
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This entry is part 1 of 2 in the series Context:Context is a small word with massive implications. Almost nothing we write, script, novel, or article, is without context. Life itself is all about context – necessary information for it to be meaningful.If I say the score of a game was 5 – 2 and a ‘blowout,’ I’d have to provide co...
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Short films are a valid form of storytelling that should be accepted and appreciated in their own right. They are self-contained stories generally told in under thirty minutes and aren’t a less valid art form. After all, a two hour film isn’t definitively twice as good as a one hour film – although it might be.Aside from being p...
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Who is the main character in a story, and who (or what) is their opposition? It may seem like a simple question with an intuitive answer. But it is still a question worth exploring. How can the writer be sure they have identified the right characters for their main character and opposition?In my previous article, Mastering Confl...
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The MonsterVerse Crossover has returned, stomping and roaring its way to box office heights. Traditionally, these monsters have pounded their way across across our screens, either in isolation or in packs with their own kind, with rare exception.Godzilla, (or kaiju) the reptilian king of the monsters empowered by radiation, firs...
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“Honestly, and I know it sounds sentimental, but when I became a writer, I held Pixar out as my beacon,” says Meg LeFauve. “At the time, I thought some of the best storytelling was coming out of Pixar and I had heard about the Brain Trust room. I thought the scariest, most thrilling thing I could do is be in that room as a write...

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