I’ve worked as a full-time film and television writer for the last twenty-one years. On assignment, I’ve produced work for such companies as Robert Kosberg Productions (Twelve Monkeys), CFP Productions (How to Lose a Guy in 10 Days), Crimson Forest (Pali Road), and Radiant Studios (Refugee) to name a few.
Following completion of a Masters Degree in Media Arts from the University of Arizona, I worked briefly in the LA industry as a script supervisor and assistant production coordinator before devoting myself to writing.
For the last eight years, I’ve had the honor of working hand-in-hand with writing partner, Nick Hagen. Covering both film and television, we’ve developed projects with producers, Sherryl Clark (Cloverfield, Morning Glory), Paul Stupin (Dawson’s Creek, Switched at Birth), Black Label Media (La La Land, 12 Strong), Radiant Studios (Refugee, An Incomplete Education), and several more. Recently, we were hand-picked to join ISA's Development Slate.
I’ve worked as a full-time film and television writer for the last twenty-one years. On assignment, I’ve produced work for such companies as Robert Kosberg Productions (Twelve Monkeys), CFP Productions (How to Lose a Guy in 10 Days), Crimson Forest (Pali Road), and Radiant Studios (Refugee) to name a few.
Following completion of a Masters Degree in Media Arts from the University of Arizona, I worked briefly in the LA industry as a script supervisor and assistant production coordinator before devoting myself to writing.
For the last eight years, I’ve had the honor of working hand-in-hand with writing partner, Nick Hagen. Covering both film and television, we’ve developed projects with producers, Sherryl Clark (Cloverfield, Morning Glory), Paul Stupin (Dawson’s Creek, Switched at Birth), Black Label Media (La La Land, 12 Strong), Radiant Studios (Refugee, An Incomplete Education), and several more. Recently, we were hand-picked to join ISA's Development Slate.