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Jumping back into the two-parter about not only how to approach adapting your script into a book, but also why. What is the why? As a little recap - this industry is HARD…when you don’t have a built-in audience. A book - your own IP (intellectual property) can help you create a fan base and therefor help you get noticed.Isn’t ge...
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As you already know, the first 14 Substacks I’ve posted dealt primarily in the breakdown of the structure of a story. I peppered in a few motivating chapters that hopefully fed your momentum as you plowed through. Now is when we get into a much more broad set of topics. This is, in the end, the crux of the screenwriting world. T...
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Learn to love all forms of storytelling

  • Heather Hale
  • .January 22, 2024
Writers and screenwriting teachers Nunzio DeFilippis and Christina Weir share their insights on writing with partners, developing scripts for television, and adaptations.Life has a way of getting in the way of writing. How much of our own writing we get done depends on how and where we’re earning our income, our personal respons...
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Dr. Linda Seger, author of Making a Good Script Great and 8 other books on screenwriting discusses how to set yourself up as a writer so that there is ALWAYS something to write about !   Writers vary in terms of how many ideas are floating around in their heads at any one time. Pen Densham, (Robin Hood: Prince of Thieves) told m...
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Filmmaker Alexander Jeffery didn’t plan on returning to live in El Dorado, Ark., where  the family had moved for his father’s work when Alexander was in high school.But after finishing film school at the University of Nebraska, and stints in Los Angeles and Sweden, the prolific producer/director of short films, Jeffery ended up ...
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The Mysterious Development of Your Villain - (an excerpt from Max Timm's online class, The Craft Course - REPOST)In this week's lesson, we will be focusing on how the other characters in your story - namely the Secondary Character and The Villain/Rival - will play their essential roles in your project. I'm consistently reminding...
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REPOST: We were lucky enough to chat with A-list scribe Zak Penn about storytelling in the rapidly-evolving technological age, how the film industry is evolving and how great things are right now for screenwriters. There are more writing opportunities than ever before. Find them or create them yourselves.Zak Penn is a screenwrit...
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The brave new world of video streaming is here to stay. Film and TV writers and content creators alike are adjusting to the new landscape of massive consumer choice. This ranges from traditional “appointment TV” to binge-watching and everything in between. The rapidly-shifting momentum can be overwhelming to both viewers and cre...
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Interactive movies, television, and ads are here to stay. While Netflix’s Black Mirror: Bandersnatch thrust the medium into the mainstream, storytellers have been creating this type of content for decades. In the ’70s, it was participatory role-playing games like Dungeons & Dragons. The ’80s brought the Choose Your Own Adventure...
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It’s said those who don’t learn from the past are doomed to repeat it. Well, we’re learning from the past and looking forward to repeating it.There’s a new game in town.Rather an old game. Really a ‘new old’ game. More precisely, a new old game rebranded as ‘scripted audio’ or ‘scripted podcasts’. What we used to call ‘radio’.Te...
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Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years of experience. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in ...
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Never Give Up

It’s taken me eighteen years writing screenplays to get to the point where I am now.  I was just hired to rewrite a big-budget European animated film, and have written a TV pilot that’s not being pitched to networks as we speak.  But I’d never gotten to the place if I had given up during all those years paying my dues.  If you’r...
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There are all kinds of works in certain subject or use categories that copyright will not protect.  These “uncopyrightable” works can be freely copied and exploited by everyone.[1] 1.                  IdeasCopyright does not protect ideas.  Copyright shelters only fixed, original and creative expression.  It does not protect the...
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This Guide provides a simple Model Nondisclosure Agreement (NDA), controlled by California law and venued, for any action, in San Francisco. This is a fairly broad NDA for parties seeking to collaborate, partner, or buy or sell interests in businesses, personal property, real property, or intellectual property. Any language insi...
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This Guide provides a simple Model Screenwriter Collaboration Agreement to be performed in California and arbitrated, if necessary, in San Francisco. The Agreement assumes that the two writers are equal in authority (no one is the boss over the other) and will have more or less equal interest in the screenplay. Any language insi...
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This Guide provides a simple Model Collaboration Agreement between a writer and an artist to create a graphic novel. The Agreement is controlled by California law and arbitrated, if necessary, in San Francisco. The Agreement assumes that the writer pays the artist in cash up front and in exchange, the artist will perform service...
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This is a sneak peek into the introduction of Max Timm's debut book on screenwriting, (Not Just) Another Book on The Craft of Screenwriting. Max Timm, the Co-Head of the ISA Development Program, creator of the ISA’s 30-Day Screenwriting Challenge, and the President of The Story Farm Coaching & Development Service, goes beyond th...
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This Guide provides a simple Model Ghostwriting Agreement to be performed in California and arbitrated, if necessary, in San Francisco. The Agreement assumes that one screenwriter, or producer for that matter (the "Writer"), will pay the second screenwriter (the Ghostwriter) cash up front. The Ghostwriter will perform services a...
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You are getting a little view into how the online course that Max Timm created for the ISA works and is presented. In order to take advantage of the full online course, you must go to www.TheCraftCourse.com and select one of the class options. If you have questions, you can email Max Timm directly at Max@networkisa.orgNote: The ...

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