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What Is A Story Hook?

Let’s get back to some very basic elements of story, since the past few chapters have been a little head-spinning, deep, and oddly esoteric. Whether you’re writing a pilot, a feature, an epic fantasy novel or a small YA series with some juicy romance, or even if you’re sitting around a campfire enjoying the last few days of warm...
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Goals: Driving the Narrative

  • James "Doc" Mason
  • .November 18, 2024
As with every story element described in this series, the goal relates directly back to the idea of conflict. To reiterate, in its most basic form, conflict is when someone wants something and another person doesn’t want them to have it.More specifically, narrative conflict is typically when one character proactively pursues a g...
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11 Writing Quotes You Should Take Notice Of (Part 2)

This entry is part 2 of 2 in a series on Writing Quotes.6) A story should have a beginning, a middle, and an end, but not necessarily in that order. ~ Jean-Luc GodardNon-linear storytelling is a difficult technique to pull off and it varies greatly. From Mission Impossible: Ghost Protocol which starts at an event and the rolls f...
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I Hate to Break It to You, But Your Logline Isn't Working

(Be like Hermione…study, read, practice, be smart.)I am going to vent a little bit in today’s post, but it’s because you all need to hear it. I’ll hold myself back as much as I can. Please remember that I am coming to you with love and positive intention here, I swear.Your logline sucks.OK, so maybe I didn’t hold myself back. I ...
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11 Writing Quotes You Should Take Notice Of (Part 1)

This entry is part 1 of 2 in a series on Writing Quotes.By the time any writer becomes successful, they’ve typically gathered a war chest worth of things not to do. If one is doing it right, you’re writing, reading, listening, and learning a ton of how to and not to write.Let’s see what lessons successful writers have learned.1)...
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So You Finished a Draft... Now What?

RewritingIt’s something we all need to deal with, and there is no getting around it. Rewriting, rewriting, rewriting. In the last post, I talked about writer’s block and, well, how and why writer’s block is pretty much a whole bunch of bullshit, and to again quote Terry Pratchett, “something invented by people in California who ...
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Are Your Scenes Boring? 8 Ways To Change That

  • Staff Writer
  • .November 6, 2024
Nothing makes a reader’s mind wander faster than a boring scene which makes them lose interest in your screenplay and scroll or flip through your pages without actively reading or engaging with them. Here are some creative ways to identify and even rectify that:1) Character StereotypesThe characters are a carbon copy of what aud...
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The Truth About Contests and Education

Max Timm and The Story Farm offer all of his Substack content to ISA members for free, but a week or more after the original post was sent. If you would like to receive his most up to date Substack posts, as well as participate in a community of writers through his subscription and the Substack app, you can do so by going here, ...
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Writing Morally Gray Characters, Part 2

This article is a continuation of Writing Morally Gray Characters, Part 1. Politics Is A Dirty Gray“Politics is a dirty business, but if you do not do politics, politics will be done to you.” So states novelist Will Shetterly.Many movies and TV series about politics shows the absolute compromising nature of politics. Gray charac...
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Writing Morally Gray Characters, Part 1

When you speak of gray in life, you’re normally talking about a mainly colorless tapestry. But morally gray characters, those considered not good nor bad, neither heroes not villains, are some of the more complex characters you can write. Even more interesting, is a psychological phenomenon that allows our audiences to embrace a...
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Would It Kill You To Smile 2? Writer/Director Returns With A Gorier Sequel

  • Staff Writer
  • .October 25, 2024
The premise of a trauma-driven supernatural entity infecting people and causing them to violently bludgeon themselves to death began in Parker Finn’s 2020 short film Laura Hasn’t Slept. It centers on the nightmares of Laura Weaver (Caitlin Stasey) featuring a smiling face, eventually forcing her into state of somniphobia (fear o...
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The Trigger – More Than An Inciting Incident

  • James "Doc" Mason
  • .October 18, 2024
While even the non-writer will recognize that the climax is the character’s final battle, the end of the story, fewer know what to call the start of the story. Remember, there is no story without conflict. Therefore the story starts with a clear conflict. Writers will know the Inciting Incident or Inciting Event is often describ...
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Understanding the First Half of Your 2nd Act

Understanding the First Half of Your 2nd Act with Some Help from Harry and Sally:Sequence 5: Let’s Get Into ItYou’re rumbling along on a road trip with your girlfriend, boyfriend, spouse, or partner. Let’s just set that stage for a second. You’ve been on the road for a few hours. The high and excitement of hitting the open road ...
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What's All This Talk About 'The Promise of the Premise'?

A New WorldAs I continue this series of daily newsletters, bringing us from one sequence of story structure into the next, I’m going to start this one with a little bit of a set up. It’s something rather simple, but important in that it will hopefully get your brain properly wrapped around this post’s topic – Sequence 4, and wha...
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How To Write A Contained Film

Contained films are restrained stories that have traditionally been limited to the horror/ thriller genre. They are characterized by having few characters (often three to five, sometimes as few as one), no more than one or two main locations such as a haunted house, and a skeleton crew.Most importantly, they are filmed on shoest...
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Your Screenplay or TV Pilot: How Long Should it Take to Write?

Okay, I admit it, I’ve been in denial. I did not think that this blogpost would need writing. Which, let’s face it, is nothing short of stupid on my part because, well, I have this conversation ALL. THE. TIME.Even as I write this, I think to myself: This blogpost is going to be a short one. There isn’t that much to say; the mess...
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What is the Most Essential Element to Any Story?

What is the Most Essential Element to Any Story (and is Too Often Ignored by Emerging Writers)?Hint: It's Not the Main Character, nor Structure, or Even a Marketable Hook.The Secondary Character Affect and Core RelationshipWelcome back everyone! You’re reading my fourth Substack post, which leads me to believe that you might act...
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The Set-Up Event

The Difference Between a Set-Up Event and the Inciting Incident + Defining the 2nd Sequence of Your Story:The Set Up EventIf you didn’t already know, I used to have a solo podcast on the ISA website called The Craft. I also released a book on screenwriting a few years back. A lot of these newsletters are in reference to what I c...
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How Does A Character's Stage of Life Impact Your Story?

What Stage of Life do you feel you’re currently in, and what kind of experience or situation could force you to change? You need to ask the same of your characters.I had an idea that in order to help us understand how to finish a script, discussing the basic structure and make-up of the script could be the simplest way to launch...
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Dialogue

  • Christopher McKittrick
  • .August 11, 2024
Robert McKee on Dialogue:We spoke to McKee about what made Dialogue a necessary addition to McKee’s oeuvre, what role improvisation should – and shouldn’t – play in crafting dialogue, and why there’s no such thing as writing a screenplay without form.Over the last 20 years, your book Story has been incredibly successful and infl...

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