Richard Linklater has called this film a spiritual sequel to Dazed and Confused. He has also referred to it as a sequel to Boyhood, his brilliantly structured (although very unusually structured) film, which basically ends right before this film begins: at the end of boyhood and the beginning of college. Everybody Wants Some picks up the baton where Boyhood left off, and centers around a freshman baseball player who is just starting college in the days leading up to the first day of classes. And though the main character may be different from the character in Boyhood, and though the structure may be different than the structure of Boyhood, confined to a few days, rather than evolving over many years, Linklater is once again building a sprawling, multi-character journey around young kid in a different kind of family, at defining point of discovering his identity and what gives meaning in his life.

But the question remains: does Everybody Wants Some actually work?