In Part 1 of this podcast, we discussed the structural elements that allow Everybody Wants Some to overcome the challenges of its meandering plot and nearly total subversion of every rule of screenwriting.

But there are other reasons, beyond structure, that Everybody Wants Some succeeds, in spite of its complete disregard for the rules. And whether you're a traditional Hollywood writer, or a rule defying auteur like Richard Linklater, there are concepts you can use to great effect in your own writing.